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	<title>SpliceBox</title>
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	<itunes:summary>Official Band Website</itunes:summary>
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		<title>Independent Record Stores</title>
		<link>http://splicebox.com/archives/86</link>
		<comments>http://splicebox.com/archives/86#comments</comments>
		<pubDate>Mon, 21 Nov 2011 00:41:07 +0000</pubDate>
		<dc:creator>SpliceBox</dc:creator>
				<category><![CDATA[blog]]></category>

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		<description><![CDATA[Seattle, Washington Easy Street Records 20 W. Mercer St., (206) 691-3279 4559 California Ave. S.W., (206) 938-3279 San Fransisco, California Amoeba Music 2455 Telegraph Ave., (510) 549-1125 1855 Haight St., San Francisco, (415) 831-1200 Los Angeles, California Amoeba Music 6400 Sunset Blvd., Hollywood, (323) 245-6400 Record Surplus 11609 W. Pico Blvd., (310) 478-4217 Long Beach, [...]]]></description>
			<content:encoded><![CDATA[<p>Seattle, Washington</p>
<p>Easy Street Records<br />
20 W. Mercer St., (206) 691-3279<br />
4559 California Ave. S.W., (206) 938-3279</p>
<p>San Fransisco, California</p>
<p>Amoeba Music<br />
2455 Telegraph Ave., (510) 549-1125<br />
1855 Haight St., San Francisco, (415) 831-1200</p>
<p>Los Angeles, California</p>
<p>Amoeba Music<br />
6400 Sunset Blvd., Hollywood, (323) 245-6400</p>
<p>Record Surplus<br />
11609 W. Pico Blvd., (310) 478-4217<br />
Long Beach, Calif.</p>
<p>Bagatelle Records<br />
260 Atlantic Ave., (562) 432-7534</p>
<p>Austin, Texas</p>
<p>Waterloo Records &#038; Video<br />
600-A N. Lamar, (512) 474-2500</p>
<p>Atlanta, Ga.</p>
<p>Ella Guru<br />
2993 N. Druid Hills Road, (404) 325-1350</p>
<p>Nashville, Tenn.</p>
<p>Ernest Tubb Record Shop<br />
417 Broadway, (615) 255-7503</p>
<p>The Great Escape<br />
1925 Broadway, (615) 327-0646</p>
<p>New Orleans</p>
<p>Jim Russell Rare Records<br />
1837 Magazine St., (504) 522-2602</p>
<p>Louisiana Music Factory<br />
210 Decatur Street, (504) 586-1094</p>
<p>New York City</p>
<p>Bleecker Bob’s<br />
118 W. Third St., (212) 475-9677</p>
<p>Sound Library Records<br />
165 Orchard St., (212) 460-4800</p>
<p>Strider Records<br />
22 Jones St., (212) 675-3040</p>
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		<title>Flickr Toward Z</title>
		<link>http://splicebox.com/archives/77</link>
		<comments>http://splicebox.com/archives/77#comments</comments>
		<pubDate>Thu, 03 Nov 2011 00:13:11 +0000</pubDate>
		<dc:creator>SpliceBox</dc:creator>
				<category><![CDATA[blog]]></category>

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		<description><![CDATA[Toward Z gallery on Flickr]]></description>
			<content:encoded><![CDATA[<p>Toward Z gallery on Flickr<br />
<br/></p>
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		<title>Spotlight on Richard Lewis</title>
		<link>http://splicebox.com/archives/71</link>
		<comments>http://splicebox.com/archives/71#comments</comments>
		<pubDate>Thu, 03 Nov 2011 00:07:26 +0000</pubDate>
		<dc:creator>SpliceBox</dc:creator>
				<category><![CDATA[blog]]></category>
		<category><![CDATA[press]]></category>

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		<description><![CDATA[Staff Writer &#8211; DMAC original publication &#8211; 09/10/2010 &#8220;Album art is the music industry&#8217;s equivalent to the movie poster. It&#8217;s the ultimate form of promotional design. Bonus materials like mini books extended the magic of the music held within.&#8221; Richard takes every opportunity he can get to create package design for bands, &#8220;The design can [...]]]></description>
			<content:encoded><![CDATA[<h3>Staff Writer &#8211; DMAC</h3>
<p><a title="original publication" href="http://www.dmac.edu/richard-lewis" target="_blank">original publication</a> &#8211; 09/10/2010</p>
<p>&#8220;Album art is the music industry&#8217;s equivalent to the movie poster. It&#8217;s the ultimate form of promotional design. Bonus materials like mini books extended the magic of the music held within.&#8221; Richard takes every opportunity he can get to create package design for bands, &#8220;The design can be iconic and full of symbolism, so it&#8217;s challenging. I think that,s why I design, because its challenging.&#8221;</p>
<p>Visual design supports the musician in a symbiotic relationship. Video and audio are inseparable yet seldom given the chance to really spend time together. I think this is the direction of the music video, a renaissance of image and sound.&#8221; He also explores this audio/visual relationship fully in-depth in his personal multimedia project, Toward Z, In the end it became both an interactive piece and a music video. I created all of the music in Apple Logic.&#8221;</p>
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		<title>The History of Splicebox</title>
		<link>http://splicebox.com/archives/1</link>
		<comments>http://splicebox.com/archives/1#comments</comments>
		<pubDate>Mon, 17 Oct 2011 14:29:40 +0000</pubDate>
		<dc:creator>SpliceBox</dc:creator>
				<category><![CDATA[blog]]></category>
		<category><![CDATA[Commodore 64]]></category>
		<category><![CDATA[Heliosequence]]></category>
		<category><![CDATA[Voyager One]]></category>

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		<description><![CDATA[Founding member Richard Lewis began playing the violin when he was 6 years old. By age 10 he was programming music electronically on his Commodore 64 computer.At age 18 he began performing live in the band Stone Pony with Kevin Garbee and Thomas Neuhaus. Creating music has always been a part of Richard&#8217;s life but [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://splicebox.com/wp-content/uploads/2011/10/29883_390923873996_570548996_4203171_7903505_n.jpg"><img class="size-thumbnail wp-image-59 alignleft" title="29883_390923873996_570548996_4203171_7903505_n" src="http://splicebox.com/wp-content/uploads/2011/10/29883_390923873996_570548996_4203171_7903505_n-150x200.jpg" alt="Headshot" width="150" height="200" /></a></p>
<p>Founding member Richard Lewis began playing the violin when he was 6 years old. By age 10 he was programming music electronically on his Commodore 64 computer.At age 18 he began performing live in the band Stone Pony with Kevin Garbee and Thomas Neuhaus.</p>
<p>Creating music has always been a part of Richard&#8217;s life but it was not until 2004 that he returned professionally as a member of Seattle based Voyager One. He played keyboards and samples alongside the bands founders Peter Marcheese and Jeramy Koeppling. The highlight of being a part of Voyager One was playing the Seattle Art Museums Best of Seattle Awards with another Seattle favorite Heliosequence.</p>
<p>Much of the time spent with Voyager One also included working with projectionist Projectorhead on the DVD release Shadows and Daydreams. It was this time that greatly influenced the visual aspect of Splicebox.</p>
<p>In 2009 Splicebox released an unofficial interactive installation Toward Z which recently made semi-finalist in the Adobe Design Achievement Awards.</p>
<p>Currently Splicebox is working on a LP code name &#8220;Reset&#8221;. The first single &#8220;Reset Return&#8221; was released October 14 2011.</p>
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